Back to One
A phrase of direction, given to actors which asks them to go back to their first position starting point physically and/or with their dialogue.
Background Extras
Talent who are in the background of a scene. Typically, not a speaking role and sometimes not easily recognizable.
Base Camp
The area at or near a shooting location from where the company operates. This is the location where equipment vehicles are parked, along with wardrobe, hair, makeup, crafty, and trailers for talent, producers, and directors.
Below the Line
A term used in production budgeting, which refers to the crew who are not talents, writers, directors, or production management and typically the majority of the crew, such as DPs, ADs, Audio, Make-up, PAs, etc.
Best Boy Electric
The second in command of the lighting department. They keep the inventory of all the gear on a project and work with the Gaffer to do the DOP’s biddings. Typically, they also handle ordering expendables and the department’s time cards. They are the assistant of the lighting department.
Best Boy Grip
Similar to the Best Boy Electric, this person assists with keeping an inventory and track of all the Grip gear, ordering expendables, completing timecards, and backing up the Key Grip.
Boom / Boom Microphone / Boom Mic
A Boom is an extendable, adjustable arm on which a microphone can be affixed. When there’s movement in a scene, the sound is recorded as close to the subjects as possible. A Boom Mic is a good backup for a Lav. See Lavaliere Microphone (Lav).
Boom Operator
The person carrying and positioning the Boom Microphone. This is the person who holds the long pole with a boom microphone and has very strong arm muscles.
Branded content
Brand-funded original video content that focuses on being useful, engaging, and entertaining rather than a traditional ‘hard-sell’. Audiences are receptive to it, and brands see an increase in reach, engagement, and conversion. We were early pioneers of this sector, now a multi-billion dollar industry.
Breathing
Leaving pauses between sections of a film structure to aid punctuation and the wider narrative; “needs room to breathe”. Related to pacing. Might also be referred to as adding (non-musical) ‘beats’.
